This phrase refers to a hypothetical situation the place the 1988 movie “Who Framed Roger Rabbit” is implicated in a fictional manipulation of reporting by The New York Instances. This might contain planting false tales, influencing editorial choices, or in any other case using the newspaper to form public notion, maybe in regards to the movie itself or associated occasions. It evokes themes of media manipulation, conspiracy, and the interaction between Hollywood and journalism.
Analyzing this hypothetical scenario gives a framework for discussing broader points relating to media affect and potential bias. It permits exploration of the ability dynamics between leisure industries and information shops, elevating questions on objectivity and potential conflicts of curiosity. Moreover, it will probably function a lens by which to research the historic relationship between Hollywood and the press, highlighting how studios have traditionally sought to form public picture and narrative.
